English
The Mid-Century Modern movement (1945-1965) emerged in post-war America as a celebration of optimism, innovation, and democratic design. Born from the convergence of Bauhaus principles, Scandinavian simplicity, and American industrial ambition, this aesthetic revolutionized domestic interiors with its organic forms, bold colors, and functionalist ethos. More than a style, it embodied the aspirations of a…
In a world where urbanization distances us from our natural roots, a silent revolution is transforming contemporary living. Biophilic architecture in the luxury segment no longer settles for looking at nature through the window: it invites it to cross the threshold, to inhabit our walls, to breathe with us. Where Art Deco celebrated industrial geometry…
Brutalism, an emblematic architectural movement of the second half of the 20th century, continues to fascinate and divide nearly sixty years after its first stirrings. Characterized by the massive use of raw concrete and imposing geometric forms, this architectural style embodies both post-war social utopias and a radical aesthetic that still marks our urban landscapes…
Moscow, 1917. While Parisian Art Deco celebrated the luxury of the interwar period and Dutch De Stijl pursued pure abstraction, the October Revolution shook Russia and gave birth to one of the most radical artistic movements of the 20th century. Russian Constructivism emerged from revolutionary chaos, carried by an unshakeable conviction: art must no longer…
New York, 1933. The “Century of Progress” World’s Fair in Chicago celebrated American technological progress at the heart of the Great Depression. While Europe sank into political tensions and Russian Constructivism faded under Stalin, America invented a radically new visual language: Streamline Moderne. This style, which would transform everything – from toasters to locomotives, from…
Between the Directoire and the Empire, the Consulate style (1799–1804) established a tempered neoclassical sobriety: forms became purer, lines straightened, but without yet tipping into imperial monumentality. The furniture favored clarity of volumes, function, and discreet ornamentation inspired by antiquity (stylized palmettes, rosettes, fillets). Light woods and mahogany dominated, often enlivened by fine gilt bronzes….
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