20 iconic cocooning armchairs, from egg chairs to bubble seats, pod lounges and beyond…
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20 iconic cocooning armchairs, from egg chairs to bubble seats, pod lounges and beyond…

Cocoon, egg, bubble and capsule chairs vintage or contemporary The egg chair embodies the very essence of organic design and the spirit of the 1960s. With its enveloping forms and futuristic appearance inspired by the Space Age, this iconic seat has fascinated for over six decades. Passionate about designer furniture, I have always been captivated…

Artichoke lamp guide: history and legacy of Poul Henningsen’s iconic Louis Poulsen design
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Artichoke lamp guide: history and legacy of Poul Henningsen’s iconic Louis Poulsen design

In 1958, Danish designer Poul Henningsen created what would become one of the most iconic light fixtures of the 20th century: the Artichoke lamp. This pendant, composed of 72 precisely arranged copper leaves, transcends its utilitarian function to become a sculptural work of art. More than a simple lamp, the Artichoke embodies the marriage of…

Bibliothèque Carlton (1981) de Sottsass — pièce emblématique du postmodernisme Memphis, colorée, sculpturale et fonctionnelle.
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Memphis Group (1981-1987): when Ettore Sottsass dynamited the codes of modern design

On September 18, 1981, in a Milanese showroom in the fashion district, an aesthetic bomb exploded. The first collection of the Memphis Group astonished, shocked, and fascinated: furniture in garish colors, lamps defying the laws of balance, surfaces covered with psychedelic patterns, a formal exuberance that seemed to openly mock fifty years of modernist good…

Atollo by Vico Magistretti : the story behind the  lamp
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Atollo by Vico Magistretti : the story behind the lamp

Why the Atollo, born in 1977, is still an absolute icon? There are lamps that you replace. And then there’s the Atollo. An icon of Italian design created in 1977 by the Milanese designer Vico Magistretti for Oluce, it has never been retouched, modified or “reissued”. It is sold today exactly as in 1977, or…

Good Design Movement: The quest for democratic design
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Good Design Movement: The quest for democratic design

New York, 1950. The Museum of Modern Art inaugurates its first “Good Design” exhibition, organized by Edgar Kaufmann Jr. In the MoMA galleries, Scandinavian furniture, Japanese objects, and American ceramics coexist according to a single criterion: the intrinsic quality of design, regardless of price or prestige. While Mid-Century Modern celebrates American prosperity and Europe rebuilds,…

Mid-Century Modern (1945-1965): The American Golden Age
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Mid-Century Modern (1945-1965): The American Golden Age

Los Angeles, 1949. In the hills of Pacific Palisades, Charles and Ray Eames complete their Case Study House #8, an architectural manifesto of postwar America. Steel, glass, and vibrant colors assemble into a lightweight structure open to the California landscape. While Europe laboriously rebuilds and the Bauhaus dissolves into emigration, America invents a new aesthetic…

Art Deco: History, Creators and Legacy of a Universal Style
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Art Deco: History, Creators and Legacy of a Universal Style

Paris, 1925. The International Exhibition of Decorative Arts and Modern Industries unveiled a revolutionary aesthetic language to the world. Gone were the vegetal curves of Art Nouveau, replaced by geometric lines, precious materials, and assumed modernity. Art Deco was born, carrying the optimism of an era fascinated by speed, technological progress, and urban elegance. Art…

Radical Design: Italian Anti-Design (1960–1975)

Radical Design: Italian Anti-Design (1960–1975)

Florence, 1966. A group of young Italian architects found Archizoom Associati and begin producing provocative projects that question every certainty of modern design. While Good Design champions rationality and the Ulm School systematizes methodology, an Italian avant-garde radically rejects functionalism. Radical Design emerges—oppositional, conceptual, provocative. This movement, which dominates Italy from 1966 to 1975, does…

Brutalism: An Architecture of Raw Concrete and Social Ambitions
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Brutalism: An Architecture of Raw Concrete and Social Ambitions

Brutalism, an emblematic architectural movement of the second half of the 20th century, continues to fascinate and divide nearly sixty years after its first stirrings. Characterized by the massive use of raw concrete and imposing geometric forms, this architectural style embodies both post-war social utopias and a radical aesthetic that still marks our urban landscapes…

Système USM Haller étagère modulable tubes chromés et panneaux colorés.
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High-Tech Design: when technology becomes an aesthetic language

Between the oil shocks of the 1970s and the technological euphoria of the late 1980s, an aesthetic revolution transformed architecture and design: the High-Tech movement elevated technology into a creative manifesto. Far from concealing pipes, wiring, or metal structures behind decorative cladding, this radical avant-garde proudly exposed them, transforming infrastructure into ornament and technical performance…

Italian Design (1950–1980):  a creative age of Dolce Vita

Italian Design (1950–1980): a creative age of Dolce Vita

When Milan Reinvents Daily Life Through Industrial Beauty Milan, 1954. In the workshops of Via Durini, Gio Ponti contemplates a Chiavari peasant chair that is one hundred and fifty years old. Around him, Italy is rising from its ashes with a vigor that astonishes all of Europe. That afternoon, Ponti decides to reinvent this anonymous…

Traditional Scandinavian Design: The Nordic Art of Living
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Traditional Scandinavian Design: The Nordic Art of Living

Traditional Scandinavian design embodies much more than just a decorative style: it reveals a philosophy of life deeply rooted in Nordic culture. Born of the encounter between rigorous climatic constraints, ancestral craft heritage and social-democratic ideals, this aesthetic movement has conquered the world with its elegant simplicity, exemplary functionality and warm humanism. From Sweden to…