Bibliothèque Carlton (1981) de Sottsass — pièce emblématique du postmodernisme Memphis, colorée, sculpturale et fonctionnelle.
|

Memphis Group (1981-1987): when Ettore Sottsass dynamited the codes of modern design

On September 18, 1981, in a Milanese showroom in the fashion district, an aesthetic bomb exploded. The first collection of the Memphis Group astonished, shocked, and fascinated: furniture in garish colors, lamps defying the laws of balance, surfaces covered with psychedelic patterns, a formal exuberance that seemed to openly mock fifty years of modernist good…

Système USM Haller étagère modulable tubes chromés et panneaux colorés.
|

High-Tech Design: when technology becomes an aesthetic language

Between the oil shocks of the 1970s and the technological euphoria of the late 1980s, an aesthetic revolution transformed architecture and design: the High-Tech movement elevated technology into a creative manifesto. Far from concealing pipes, wiring, or metal structures behind decorative cladding, this radical avant-garde proudly exposed them, transforming infrastructure into ornament and technical performance…