{"id":65623,"date":"2026-11-10T09:07:29","date_gmt":"2026-11-10T08:07:29","guid":{"rendered":"https:\/\/hartdesignselection.com\/?p=65623"},"modified":"2026-11-10T09:07:38","modified_gmt":"2026-11-10T08:07:38","slug":"mies-van-der-rohe-life-work-and-iconic-furniture","status":"publish","type":"post","link":"https:\/\/hartdesignselection.com\/en\/mies-van-der-rohe-life-work-and-iconic-furniture\/","title":{"rendered":"Mies van der Rohe: life, work and iconic furniture"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">In the spring of 1929, in Barcelona, Germany opened its pavilion at the International Exposition. No showcases, no products for sale: just planes of travertine, green marble and golden onyx, glass walls, a roof that seems to float on slender chrome columns, a pool and a statue of a woman by Georg Kolbe. In the middle, two armchairs of leather and steel. The building was dismantled in 1930. Yet it became one of the most famous in the history of architecture, so much so that it was rebuilt exactly as it was in 1986. Its architect was Ludwig Mies van der Rohe.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-zoom-1024x768.webp\" alt=\"Chrome columns and marble walls of the Barcelona Pavilion by Mies van der Rohe\" class=\"wp-image-65616\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-zoom-1024x768.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-zoom-300x225.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-zoom-768x576.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-zoom-1536x1152.webp 1536w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-zoom-1320x990.webp 1320w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-zoom.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Marble, onyx, glass and chrome columns: material at the heart of the Barcelona Pavilion. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Barcelona_Pavilion_photo_Christian_G%C3%A4nshirt_2012.JPG\" target=\"_blank\" rel=\"noopener\">Christian G\u00e4nshirt<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\" target=\"_blank\" rel=\"noopener\">CC BY-SA 4.0<\/a>, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Mies is the architect of &#8220;less is more&#8221;, the phrase that sums up a century of modernity on its own. But to reduce his work to a matter of stripping things back would be to miss the point: with him, simplicity is a luxury, made of the finest materials and an obsessive precision. That is what makes him so valuable to anyone who loves interiors.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">A child of stone<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Ludwig Mies was born in Aachen on 27 March 1886. He grew up in his father&#8217;s stone-carving business and learned early on the weight and grain of materials. He never earned an architecture degree: he trained on building sites, then with Berlin architects.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"739\" height=\"1024\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/mies-van-der-rohe-portrait-architect-739x1024.webp\" alt=\"Portrait of architect Ludwig Mies van der Rohe in 1934\" class=\"wp-image-65610\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/mies-van-der-rohe-portrait-architect-739x1024.webp 739w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/mies-van-der-rohe-portrait-architect-217x300.webp 217w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/mies-van-der-rohe-portrait-architect-768x1064.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/mies-van-der-rohe-portrait-architect.webp 866w\" sizes=\"auto, (max-width: 739px) 100vw, 739px\" \/><figcaption class=\"wp-element-caption\">Ludwig Mies van der Rohe in 1934. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hugo_Erfurth_-_Portrait_Ludwig_Mies_van_der_Rohe,_1934.jpg\" target=\"_blank\" rel=\"noopener\">Hugo Erfurth<\/a>, public domain, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n  \n  \n  <div class=\"\n    mailpoet_form_popup_overlay\n      \"><\/div>\n  <div\n    id=\"mailpoet_form_5\"\n    class=\"\n      mailpoet_form\n      mailpoet_form_html\n      mailpoet_form_position_\n      mailpoet_form_animation_\n    \"\n      >\n\n    <style type=\"text\/css\">\n     #mailpoet_form_5 form.mailpoet_form { margin-bottom: 0; }\n#mailpoet_form_5 p.mailpoet_form_paragraph.last { margin-bottom: 0px; }\n#mailpoet_form_5 h1.mailpoet-heading { margin: 0 0 10px; }\n#mailpoet_form_5 .mailpoet_column_with_background { padding: 10px; }\n#mailpoet_form_5 .mailpoet_form_column:not(:first-child) { margin-left: 20px; }\n#mailpoet_form_5 .mailpoet_paragraph { line-height: 20px; margin-bottom: 20px; }\n#mailpoet_form_5 .mailpoet_segment_label, #mailpoet_form_5 .mailpoet_text_label, #mailpoet_form_5 .mailpoet_textarea_label, #mailpoet_form_5 .mailpoet_select_label, #mailpoet_form_5 .mailpoet_radio_label, #mailpoet_form_5 .mailpoet_checkbox_label, #mailpoet_form_5 .mailpoet_list_label, #mailpoet_form_5 .mailpoet_date_label { display: block; 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color: #ffffff; font-size: 13px\"><span style=\"font-family: Libre Baskerville\" data-font=\"Libre Baskerville\" class=\"mailpoet-has-font\">MONTHLY EDITION<\/span><\/p>\n<h2 class=\"mailpoet-heading  mailpoet-has-font-size\" style=\"text-align: center; color: #ffffff; font-size: 44px; line-height: 1.2\"><span style=\"font-family: Libre Baskerville\" data-font=\"Libre Baskerville\" class=\"mailpoet-has-font\">HART <\/span>NEWSLETTER <\/h2>\n<div class='mailpoet_spacer mailpoet_has_divider' style='height: 1px;'><div class='mailpoet_divider' data-automation-id='form_divider' style='border-top-style: solid;border-top-width: 1px;border-top-color: black;height: 1px;width: 100%'><\/div><\/div>\n<p class=\"mailpoet_form_paragraph  mailpoet-has-font-size\" style=\"text-align: left; font-size: 0px\">A Unique Perspective on Design, Materials and Exceptional Houses<\/p>\n<div class='mailpoet_form_columns_container'><div class=\"mailpoet_form_columns mailpoet_paragraph mailpoet_stack_on_mobile\"><div class=\"mailpoet_form_column mailpoet_vertically_align_center\" style=\"flex-basis:100%;padding:20px 20px 20px 20px;;\"><\/div>\n<div class=\"mailpoet_form_column\" style=\"flex-basis:40%;\"><div class=\"mailpoet_paragraph \"><style>input[name=\"data[form_field_YmM3NzI2NmQ5Y2YwX2VtYWls]\"]::placeholder{color:#8b8183;opacity: 1;}<\/style><input type=\"email\" autocomplete=\"email\" class=\"mailpoet_text\" id=\"form_email_5\" name=\"data[form_field_YmM3NzI2NmQ5Y2YwX2VtYWls]\" title=\"Email address\" value=\"\" style=\"width:100%;box-sizing:border-box;background-color:#ffffff;border-style:solid;border-radius:8px !important;border-width:0px;border-color:#e3d5c3;padding:16px;margin: 0 auto 0 0;font-family:&#039;Libre Baskerville&#039;;font-size:8px;line-height:1.5;height:auto;color:#8b8183;\" data-automation-id=\"form_email\"  placeholder=\"Email address *\" aria-label=\"Email address *\" data-parsley-errors-container=\".mailpoet_error_esafy\" data-parsley-required=\"true\" required aria-required=\"true\" data-parsley-minlength=\"6\" data-parsley-maxlength=\"150\" data-parsley-type-message=\"This value should be a valid email.\" data-parsley-required-message=\"This field is required.\"\/><span class=\"mailpoet_error_esafy\"><\/span><\/div>\n<\/div>\n<div class=\"mailpoet_form_column\" style=\"flex-basis:40%;\"><div class=\"mailpoet_paragraph \"><input type=\"submit\" class=\"mailpoet_submit\" value=\"Subscribe\" data-automation-id=\"subscribe-submit-button\" data-font-family='Libre Baskerville' style=\"width:100%;box-sizing:border-box;background-color:#877b52;border-style:solid;border-radius:8px !important;border-width:0px;padding:13px;margin: 0 auto 0 0;font-family:&#039;Libre Baskerville&#039;;font-size:13px;line-height:1.5;height:auto;color:#ffffff;border-color:transparent;font-weight:bold;\" \/><span class=\"mailpoet_form_loading\"><span class=\"mailpoet_bounce1\"><\/span><span class=\"mailpoet_bounce2\"><\/span><span class=\"mailpoet_bounce3\"><\/span><\/span><\/div>\n<\/div>\n<\/div><\/div>\n<p class=\"mailpoet_form_paragraph  mailpoet-has-font-size\" style=\"text-align: left; font-size: 9px; line-height: 1.1\"><span style=\"font-family: Libre Baskerville\" data-font=\"Libre Baskerville\" class=\"mailpoet-has-font\">Your data is never sold or used for commercial purposes. See our <em><a href=\"https:\/\/hartdesignselection.com\/en\/privacy-policy\/\" data-type=\"page\" data-id=\"65576\">Privacy Policy <\/a><\/em><\/span><\/p>\n\n      <div class=\"mailpoet_message\">\n        <p class=\"mailpoet_validate_success\"\n                style=\"display:none;\"\n                >V\u00e9rifiez votre boite de r\u00e9ception ou votre r\u00e9pertoire d\u2019ind\u00e9sirables pour confirmer votre abonnement.\n        <\/p>\n        <p class=\"mailpoet_validate_error\"\n                style=\"display:none;\"\n                >        <\/p>\n      <\/div>\n    <\/form>\n\n      <\/div>\n\n  \n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">In 1908 he joined Peter Behrens, the great architect of German industry, in a studio that also saw Walter Gropius and a young Swiss named Charles-\u00c9douard Jeanneret, the future <a href=\"https:\/\/hartdesignselection.com\/en\/le-corbusier-the-essential-french-architect\/\">Le Corbusier<\/a>. There he learned rigour, the pared-back classicism of Karl Friedrich Schinkel and the idea that a building could be both industrial and noble.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1921 he added his mother&#8217;s surname, Rohe, to his own and became Ludwig Mies van der Rohe. The name sounded more aristocratic; the man was about to break every rule.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Berlin, the invention of a language<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In the early 1920s Mies drew projects no one built, but everyone looked at. The most famous was a skyscraper clad entirely in glass, imagined in 1921 near Friedrichstra\u00dfe station in Berlin. A transparent tower, at a time when buildings were still made of stone and brick.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 1927 he directed the Weissenhof Estate in Stuttgart, a full-scale exhibition where Europe&#8217;s best modern architects, Le Corbusier included, each built a house. It was also the period of his decisive partnership with Lilly Reich, designer and interior architect, with whom he worked from 1925 to 1938. She was his partner on the great exhibition projects, interiors and furniture, and history long forgot her name.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Barcelona and Brno, the two masterpieces<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Barcelona Pavilion, built in 1928 and 1929, invented a new kind of space. Walls no longer enclose rooms: they slide past one another, and you move from inside to outside without noticing. Lilly Reich was artistic director of the German contribution. To furnish it, they designed the Barcelona chair together: an X-shaped steel frame and two tufted leather cushions. It is said to have been meant to seat the King and Queen of Spain at the opening; it became one of the most famous pieces of furniture in the world.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-1024x681.webp\" alt=\"Barcelona Pavilion by Mies van der Rohe, flat roof and pool\" class=\"wp-image-65620\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-1024x681.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-300x199.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe-768x511.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/barcelona-pavilion-mies-van-der-rohe.webp 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The Barcelona Pavilion, built for the 1929 Exposition and rebuilt in 1986. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Van_der_Rohe_Pavillion_overview.jpg\" target=\"_blank\" rel=\"noopener\">MartinD<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/3.0\" target=\"_blank\" rel=\"noopener\">CC BY-SA 3.0<\/a>, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">At the same time, from 1928 to 1930, Mies built the Villa Tugendhat in Brno, Czechoslovakia, for a young industrialist couple. The great living room opens onto the garden through glass walls that slide down into the floor. An onyx partition, a semicircular wall in macassar wood, cross-shaped chrome columns: the materials are sumptuous, the space utterly serene. Lilly Reich and Mies also designed the Brno chair there. The villa has been a UNESCO World Heritage Site since 2001.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-1024x681.webp\" alt=\"Villa Tugendhat by Mies van der Rohe in Brno, garden facade\" class=\"wp-image-65606\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-1024x681.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-300x199.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-768x511.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe.webp 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The Villa Tugendhat in Brno (1928-1930), a UNESCO World Heritage Site. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:VT16_PD_zahrada.jpg\" target=\"_blank\" rel=\"noopener\">Petr1987<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\" target=\"_blank\" rel=\"noopener\">CC BY-SA 4.0<\/a>, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">These two works say everything about Mies. &#8220;Less is more&#8221; is never poverty here: fewer elements, each one perfect, and materials you want to touch. Another phrase is attributed to him, &#8220;God is in the details&#8221;. It suits him just as well.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"718\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-interior-1024x718.webp\" alt=\"Living room of the Villa Tugendhat with its onyx wall and chrome columns\" class=\"wp-image-65608\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-interior-1024x718.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-interior-300x210.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-interior-768x539.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/villa-tugendhat-brno-mies-van-der-rohe-interior.webp 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The great living room of the Villa Tugendhat, its onyx wall and cross-shaped columns. Photo: <a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=177208221\" target=\"_blank\" rel=\"noopener\">JensKunstfreund<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\" target=\"_blank\" rel=\"noopener\">CC BY-SA 4.0<\/a>, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">The Bauhaus, its last director<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In 1930 Mies took over the <a href=\"https:\/\/hartdesignselection.com\/en\/bauhaus-the-german-school-that-shaped-modern-design\/\">Bauhaus<\/a>, the school founded by Walter Gropius. The times were dire. Under Nazi pressure the school left Dessau for Berlin in 1932, where Mies tried to keep it going in a former factory. Lilly Reich ran the interior design workshop. In 1933 the Bauhaus closed for good. Mies stayed in Germany a few more years, with less and less work, then left for the United States in 1938.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">America, the modern skyscraper<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">In Chicago he became head of the architecture department at the Illinois Institute of Technology, whose campus he also designed. Crown Hall, completed in 1956, is a vast hall without a single interior column, under a roof hung from steel frames: one entirely open space in which to teach architecture.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"637\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/crown-hall-iit-chicago-mies-van-der-rohe-1024x637.webp\" alt=\"Crown Hall by Mies van der Rohe at the Illinois Institute of Technology, Chicago\" class=\"wp-image-65618\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/crown-hall-iit-chicago-mies-van-der-rohe-1024x637.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/crown-hall-iit-chicago-mies-van-der-rohe-300x187.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/crown-hall-iit-chicago-mies-van-der-rohe-768x478.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/crown-hall-iit-chicago-mies-van-der-rohe.webp 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Crown Hall (1956), a single open space under a suspended roof. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:S.R._Crown_Hall.jpg\" target=\"_blank\" rel=\"noopener\">Arturo Duarte Jr.<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/3.0\" target=\"_blank\" rel=\"noopener\">CC BY-SA 3.0<\/a>, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">For Dr Edith Farnsworth he built a glass house on stilts by the Fox River near Chicago, completed in 1951. Eight white columns, two slabs, glass walls on all four sides: the most pared-back house ever built, and the most debated. His client found it unliveable; architects the world over see it as a manifesto.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/farnsworth-house-mies-van-der-rohe-1024x768.webp\" alt=\"Farnsworth House by Mies van der Rohe, glass house on stilts in Plano\" class=\"wp-image-65614\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/farnsworth-house-mies-van-der-rohe-1024x768.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/farnsworth-house-mies-van-der-rohe-300x225.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/farnsworth-house-mies-van-der-rohe-768x576.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/farnsworth-house-mies-van-der-rohe-1536x1152.webp 1536w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/farnsworth-house-mies-van-der-rohe-1320x990.webp 1320w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/farnsworth-house-mies-van-der-rohe.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The Farnsworth House (1951), a glass house by the Fox River. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Farnsworth_House_in_Plano,_IL._Designed_by_Ludwig_Mies_van_der_Rohe_in_1949._(47930459907).jpg\" target=\"_blank\" rel=\"noopener\">Ron Frazier<\/a>, <a href=\"https:\/\/creativecommons.org\/licenses\/by\/2.0\" target=\"_blank\" rel=\"noopener\">CC BY 2.0<\/a>, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">With the Lake Shore Drive towers, built from 1948 to 1951, then the Seagram Building in New York, designed from 1954 to 1958 with Philip Johnson, Mies set the model of the modern skyscraper: a steel frame, glass facades, a regular rhythm of metal profiles. The Seagram, with its bronze profiles and open plaza in front, remains the most elegant of them all. The countless office towers that copied it since have often kept only the form, never the care.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/seagram-building-new-york-mies-van-der-rohe-hart-768x1024.webp\" alt=\"Seagram Building by Mies van der Rohe in New York, bronze and glass facade\" class=\"wp-image-65604\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/seagram-building-new-york-mies-van-der-rohe-hart-768x1024.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/seagram-building-new-york-mies-van-der-rohe-hart-225x300.webp 225w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/seagram-building-new-york-mies-van-der-rohe-hart-1152x1536.webp 1152w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/seagram-building-new-york-mies-van-der-rohe-hart-1320x1760.webp 1320w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/seagram-building-new-york-mies-van-der-rohe-hart.webp 1536w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\">The Seagram Building in New York (1954-1958), designed with Philip Johnson. Photo: <a href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=2941841\" target=\"_blank\" rel=\"noopener\">Max Hermus<\/a>, public domain, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\">Berlin, full circle<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">His last great building brought him back to Germany. From 1965 to 1968 he built the Neue Nationalgalerie in Berlin: a vast square steel roof resting on just eight columns, above an entirely glazed hall. It is a modern temple, the culmination of forty years of research. Restored by architect David Chipperfield, it reopened in 2021.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/neue-nationalgalerie-berlin-mies-van-der-rohe-1024x576.webp\" alt=\"Neue Nationalgalerie by Mies van der Rohe in Berlin, steel roof on eight columns\" class=\"wp-image-65612\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/neue-nationalgalerie-berlin-mies-van-der-rohe-1024x576.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/neue-nationalgalerie-berlin-mies-van-der-rohe-300x169.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/neue-nationalgalerie-berlin-mies-van-der-rohe-768x432.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/neue-nationalgalerie-berlin-mies-van-der-rohe.webp 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The Neue Nationalgalerie in Berlin (1965-1968), reopened in 2021. Photo: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Berlin_Neue_Nationalgalerie_asv2021-11_img1.jpg\" target=\"_blank\" rel=\"noopener\">A.Savin<\/a>, FAL, via Wikimedia Commons.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Ludwig Mies van der Rohe died in Chicago on 17 August 1969.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The furniture, still in production<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Mies designed little furniture, nearly all of it with Lilly Reich and nearly all between 1927 and 1931. But every piece became an icon. Since 1953, when Mies granted the rights to the American manufacturer, Knoll has produced the Barcelona chair and ottoman, the Brno chair, the cantilevered MR chair and the MR lounge chair.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"967\" height=\"1024\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2025\/08\/mies-van-der-rohe-barcelona-chair-1929-modernism-967x1024.webp\" alt=\"Barcelona chair by Mies van der Rohe and Lilly Reich, tufted leather and chrome steel\" class=\"wp-image-54625\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2025\/08\/mies-van-der-rohe-barcelona-chair-1929-modernism-967x1024.webp 967w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2025\/08\/mies-van-der-rohe-barcelona-chair-1929-modernism-283x300.webp 283w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2025\/08\/mies-van-der-rohe-barcelona-chair-1929-modernism-768x813.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2025\/08\/mies-van-der-rohe-barcelona-chair-1929-modernism.webp 1133w\" sizes=\"auto, (max-width: 967px) 100vw, 967px\" \/><figcaption class=\"wp-element-caption\">The Barcelona chair, designed with Lilly Reich in 1929 and produced by Knoll since 1953.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">The Barcelona is one of the most copied pieces of furniture in the world, and it is easy to be fooled. On a Knoll model the steel frame is hand-polished to a mirror finish, each cushion is made from forty leather panels cut from a single hide, sewn and tufted by hand, and Mies&#8217;s signature is stamped on the frame with the maker&#8217;s logo. A copy almost always gives itself away through its welds, stiff leather or missing marks.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In an interior, these pieces need space. A Barcelona chair in a cluttered room loses all meaning; in a bright living room, facing a window, it becomes a sculpture. That is Mies&#8217;s lesson: choose less <a href=\"https:\/\/hartdesignselection.com\/en\/leading-designers-and-high-ends-furniture-brands\/\">furniture<\/a>, but the best.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The legacy of Mies<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Mies van der Rohe changed the skyline of our cities and the way we think about space. The open plan, transparency and the blurred line between inside and outside owe a great deal to him. The <a href=\"https:\/\/hartdesignselection.com\/en\/minimalism-1990-2010-when-less-is-more-becomes-a-global-manifesto\/\">minimalism<\/a> of the 1990s took up his phrase as a manifesto, and today&#8217;s <a href=\"https:\/\/hartdesignselection.com\/en\/quiet-luxury-interiors-the-art-of-silence-and-materiality\/\">quiet luxury<\/a> owes him its taste for fine materials and silence.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Against him, <a href=\"https:\/\/hartdesignselection.com\/en\/frank-lloyd-wright-organic-architecture-fallingwater\/\">Frank Lloyd Wright<\/a> championed a house rooted in its landscape, and <a href=\"https:\/\/hartdesignselection.com\/en\/charlotte-perriand-life-work-and-iconic-furniture\/\">Charlotte Perriand<\/a> a house made for everyday life. Mies sought the absolute. The three visions are still in conversation in our interiors.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To meet the other great figures of the century, our <a href=\"https:\/\/hartdesignselection.com\/en\/hart-glossary-of-design-icons\/\">glossary of 20th-century masters<\/a> and our <a href=\"https:\/\/hartdesignselection.com\/en\/architecture\/\">architecture<\/a> page carry on the tour.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Frequently asked questions<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Who designed the Barcelona chair?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The Barcelona chair is attributed to Ludwig Mies van der Rohe, but it is now recognised as the fruit of his collaboration with Lilly Reich, artistic director of the German contribution to the 1929 Barcelona Exposition. Knoll has produced it since 1953.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Can you visit Mies van der Rohe&#8217;s buildings?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Yes. The Barcelona Pavilion, rebuilt in 1986, is open all year, as is the Villa Tugendhat in Brno, by reservation. In the United States the Farnsworth House is open to the public, and in Berlin the Neue Nationalgalerie reopened in 2021.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">How can you tell a genuine Barcelona chair?<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A Knoll model has Mies&#8217;s signature and the maker&#8217;s logo stamped on the frame. Its steel frame is hand-polished with no visible welds, and each cushion is made of forty leather panels sewn and tufted by hand. A very low price, visible welds or stiff leather point to a copy.<\/p>\n\n\n\n<!-- HART \u00b7 RESOURCES BLOCK \u00b7 5 EDITORIAL PILLARS (EN) -->\n<style>\n.hart-piliers{background:#f6eee7;padding:52px 44px 44px;margin:80px 0;color:#211c1a}\n.hart-piliers__kicker{font-size:11px;letter-spacing:.22em;text-transform:uppercase;margin:0 0 14px;opacity:.65}\n.hart-piliers__kicker::before{content:\"\";display:block;width:36px;height:2px;background:#f3206f;margin-bottom:18px}\n.hart-piliers__titre{font-family:Georgia,\"Times New Roman\",serif;font-weight:400;font-size:31px;line-height:1.2;margin:0 0 38px;max-width:540px}\n.hart-piliers__titre em{font-style:italic}\n.hart-piliers__liste{list-style:none!important;margin:0!important;padding:0!important;border-top:1px solid #e3d5c3}\n.hart-piliers__liste li{margin:0!important;padding:0!important;border-bottom:1px solid #e3d5c3}\n.hart-piliers__liste li::before,.hart-piliers__liste li::marker{content:none}\n.hart-piliers__lien{display:grid;grid-template-columns:64px 1fr 28px;gap:20px;align-items:baseline;padding:24px 14px;text-decoration:none!important;color:#211c1a!important;transition:background .35s ease}\n.hart-piliers__num{font-family:Georgia,serif;font-style:italic;font-size:26px;opacity:.3;transition:color .35s,opacity .35s}\n.hart-piliers__rubrique{display:block;font-size:10px;letter-spacing:.18em;text-transform:uppercase;opacity:.55;margin-bottom:6px}\n.hart-piliers__nom{display:block;font-family:Georgia,serif;font-size:21px;line-height:1.3;margin-bottom:6px}\n.hart-piliers__desc{display:block;font-size:14px;line-height:1.6;opacity:.72}\n.hart-piliers__fleche{font-size:18px;transition:transform .35s ease,color .35s}\n.hart-piliers__lien:hover,.hart-piliers__lien:focus-visible{background:#e3d5c3}\n.hart-piliers__lien:hover .hart-piliers__num,.hart-piliers__lien:focus-visible .hart-piliers__num{color:#f3206f;opacity:1}\n.hart-piliers__lien:hover .hart-piliers__fleche,.hart-piliers__lien:focus-visible .hart-piliers__fleche{transform:translateX(6px);color:#f3206f}\n@media (max-width:600px){\n.hart-piliers{padding:38px 20px 30px}\n.hart-piliers__titre{font-size:24px;margin-bottom:28px}\n.hart-piliers__lien{grid-template-columns:38px 1fr;gap:12px;padding:20px 4px}\n.hart-piliers__num{font-size:20px}\n.hart-piliers__fleche{display:none}\n}\n<\/style>\n\n<div class=\"hart-piliers\">\n  <p class=\"hart-piliers__kicker\">Resources<\/p>\n  <p class=\"hart-piliers__titre\">Five ways into <em>the world of HART<\/em><\/p>\n\n  <ul class=\"hart-piliers__liste\">\n    <li>\n      <a class=\"hart-piliers__lien\" href=\"https:\/\/hartdesignselection.com\/en\/universes-and-atmospheres\/\">\n        <span class=\"hart-piliers__num\">01<\/span>\n        <span>\n          <span class=\"hart-piliers__rubrique\">Spaces<\/span>\n          <span class=\"hart-piliers__nom\">Spaces &amp; materials<\/span>\n          <span class=\"hart-piliers__desc\">Interiors, atmospheres and materials that give a place its identity.<\/span>\n        <\/span>\n        <span class=\"hart-piliers__fleche\" aria-hidden=\"true\">\u2192<\/span>\n      <\/a>\n    <\/li>\n    <li>\n      <a class=\"hart-piliers__lien\" href=\"https:\/\/hartdesignselection.com\/en\/creators\/\">\n        <span class=\"hart-piliers__num\">02<\/span>\n        <span>\n          <span class=\"hart-piliers__rubrique\">Creators<\/span>\n          <span class=\"hart-piliers__nom\">Designers &amp; creators<\/span>\n          <span class=\"hart-piliers__desc\">Architects, designers and artists whose vision changed the way we live.<\/span>\n        <\/span>\n        <span class=\"hart-piliers__fleche\" aria-hidden=\"true\">\u2192<\/span>\n      <\/a>\n    <\/li>\n    <li>\n      <a class=\"hart-piliers__lien\" href=\"https:\/\/hartdesignselection.com\/en\/luxury-craftspeople-and-art-trades\/\">\n        <span class=\"hart-piliers__num\">03<\/span>\n        <span>\n          <span class=\"hart-piliers__rubrique\">Craftsmanship<\/span>\n          <span class=\"hart-piliers__nom\">Artisans &amp; fine crafts<\/span>\n          <span class=\"hart-piliers__desc\">Upholsterers, cabinetmakers, metalworkers, ceramicists: the workshops and the hands behind true excellence.<\/span>\n        <\/span>\n        <span class=\"hart-piliers__fleche\" aria-hidden=\"true\">\u2192<\/span>\n      <\/a>\n    <\/li>\n    <li>\n      <a class=\"hart-piliers__lien\" href=\"https:\/\/hartdesignselection.com\/en\/leading-designers-and-high-ends-furniture-brands\/\">\n        <span class=\"hart-piliers__num\">04<\/span>\n        <span>\n          <span class=\"hart-piliers__rubrique\">Furniture<\/span>\n          <span class=\"hart-piliers__nom\">Furniture &amp; interiors<\/span>\n          <span class=\"hart-piliers__desc\">Iconic sofas, seating and lighting, read through form, use and comfort.<\/span>\n        <\/span>\n        <span class=\"hart-piliers__fleche\" aria-hidden=\"true\">\u2192<\/span>\n      <\/a>\n    <\/li>\n    <li>\n      <a class=\"hart-piliers__lien\" href=\"https:\/\/hartdesignselection.com\/en\/the-big-design-history\/\">\n        <span class=\"hart-piliers__num\">05<\/span>\n        <span>\n          <span class=\"hart-piliers__rubrique\">Heritage<\/span>\n          <span class=\"hart-piliers__nom\">Design history<\/span>\n          <span class=\"hart-piliers__desc\">From Gothic to global design, the styles that shaped the art of living.<\/span>\n        <\/span>\n        <span class=\"hart-piliers__fleche\" aria-hidden=\"true\">\u2192<\/span>\n      <\/a>\n    <\/li>\n  <\/ul>\n<\/div>\n<!-- END HART \u00b7 RESOURCES BLOCK \u00b7 5 EDITORIAL PILLARS (EN) -->\n","protected":false},"excerpt":{"rendered":"<p>In the spring of 1929, in Barcelona, Germany opened its pavilion at the International Exposition. No showcases, no products for sale: just planes of travertine, green marble and golden onyx, glass walls, a roof that seems to float on slender chrome columns, a pool and a statue of a woman by Georg Kolbe. In the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":65619,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[186,873],"tags":[],"class_list":["post-65623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-20th-century-masters","category-architecture-en"],"taxonomy_info":{"category":[{"value":186,"label":"20th Century Masters"},{"value":873,"label":"Architecture"}]},"featured_image_src_large":["https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/11\/crown-hall-iit-chicago-mies-van-der-rohe-1024x637.webp",1000,622,true],"author_info":{"display_name":"C\u00e9line Vanier","author_link":"https:\/\/hartdesignselection.com\/en\/author\/admin2836\/"},"comment_info":0,"category_info":[{"term_id":186,"name":"20th Century Masters","slug":"20th-century-masters","term_group":0,"term_taxonomy_id":186,"taxonomy":"category","description":"Icons of modern design and architecture, the 20th century masters shaped history with their visionary approach. Revisit their major works, enduring legacy, and lasting influence on contemporary creation.","parent":182,"count":12,"filter":"raw","cat_ID":186,"category_count":12,"category_description":"Icons of modern design and architecture, the 20th century masters shaped history with their visionary approach. Revisit their major works, enduring legacy, and lasting influence on contemporary creation.","cat_name":"20th Century Masters","category_nicename":"20th-century-masters","category_parent":182},{"term_id":873,"name":"Architecture","slug":"architecture-en","term_group":0,"term_taxonomy_id":873,"taxonomy":"category","description":"Modern architecture and interior architecture: the masters who built and furnished the 20th century, today's architects and studios, our visits to exceptional houses and places, and the approaches that put people at the centre of space.","parent":0,"count":6,"filter":"raw","cat_ID":873,"category_count":6,"category_description":"Modern architecture and interior architecture: the masters who built and furnished the 20th century, today's architects and studios, our visits to exceptional houses and places, and the approaches that put people at the centre of space.","cat_name":"Architecture","category_nicename":"architecture-en","category_parent":0}],"tag_info":false,"_links":{"self":[{"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/posts\/65623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/comments?post=65623"}],"version-history":[{"count":1,"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/posts\/65623\/revisions"}],"predecessor-version":[{"id":65624,"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/posts\/65623\/revisions\/65624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/media\/65619"}],"wp:attachment":[{"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/media?parent=65623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/categories?post=65623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hartdesignselection.com\/en\/wp-json\/wp\/v2\/tags?post=65623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}