{"id":62613,"date":"2025-11-05T18:10:39","date_gmt":"2025-11-05T17:10:39","guid":{"rendered":"https:\/\/hartdesignselection.com\/?p=62613"},"modified":"2026-02-04T14:30:32","modified_gmt":"2026-02-04T13:30:32","slug":"interior-design-in-the-digital-age-1990-2026-styles-furniture-and-an-aesthetic-revolution","status":"publish","type":"post","link":"https:\/\/hartdesignselection.com\/en\/interior-design-in-the-digital-age-1990-2026-styles-furniture-and-an-aesthetic-revolution\/","title":{"rendered":"Interior Design in the Digital Age (1990\u20132026): Styles, Furniture, and an Aesthetic Revolution"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">What is Interior Design in the Digital Age (1990\u20132026)?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The rise of digital design since the 1990s has not only transformed our interfaces and screens. It has reshaped how we live at home, introducing new habits, new spatial rituals, and a visual language that feels unmistakably contemporary. In these decades, interior design has been in constant conversation with technology, producing styles that mirror the way we work, connect, consume, and seek comfort in a world that never really goes offline.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1990\u20132000: High-tech minimalism and the Silicon Valley aesthetic<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Historical context<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The 1990s brought the mainstream expansion of the personal computer, the first internet boom, and the emergence of a new cultural elite: tech entrepreneurs. Apple, driven by Steve Jobs and designer Jonathan Ive, imposed an aesthetic that went far beyond consumer electronics and began influencing contemporary design at large.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Stylistic features<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>High-tech minimalism<\/strong> turned away from the postmodern ornament of the 1980s in favor of clean lines, clarity, transparency, and a sense of lightness. Japanese industrial design influences (Muji, in particular) merged with a Californian belief in sleek progress to create interiors where technology becomes present, yet visually discreet.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter is-resized\"><a href=\"https:\/\/www.kartell.com\/fr\/fr\/ktfr\/shop\/product\/louis-ghost\/66-530\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"981\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2025\/12\/chaise-louis-ghost-kartell-starck-edited-1.webp\" alt=\"Louis Ghost chair by Philippe Starck for Kartell, transparent polycarbonate design icon\" class=\"wp-image-58829\" style=\"aspect-ratio:0.7502514752480246;width:495px;height:auto\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2025\/12\/chaise-louis-ghost-kartell-starck-edited-1.webp 736w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2025\/12\/chaise-louis-ghost-kartell-starck-edited-1-225x300.webp 225w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><\/a><figcaption class=\"wp-element-caption\">Louis Ghost chair by Philippe Starck for Kartell<\/figcaption><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading\">Signature furniture<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The <strong>Louis Ghost<\/strong> chair by Philippe Starck (2002), in transparent polycarbonate, embodies this taste for dematerialization<\/li>\n\n\n\n<li>Glass desks and tables paired with chrome steel or brushed aluminum<\/li>\n\n\n\n<li>Geometric modular shelving, often echoing a revisited Constructivist rigor<\/li>\n\n\n\n<li>IKEA becomes a global reference point through simplified Scandinavian lines<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Dominant materials<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Polycarbonate, glass, aluminum, stainless steel, glossy white laminates, molded plastics.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Color palette<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Clean white, mouse gray, graphite black, with translucent color accents. The famous \u201cBondi Blue\u201d of the iMac G3 (1998) influenced an entire generation\u2019s idea of what \u201cmodern\u201d could look like.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Lighting<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">On <a href=\"https:\/\/hartdesignselection.com\/en\/designer-lighting-guide\/\" data-type=\"page\" data-id=\"55957\">the lighting side<\/a> and exceptional fixtures, LEDs begin replacing traditional bulbs. Sculptural lamps such as Artemide\u2019s <strong>Tizio<\/strong>, or the minimal creations of Flos, capture this fusion of engineering and elegance.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/lampe-tizio-artemide-1024x576.webp\" alt=\"Tizio lamp by Richard Sapper for Artemide, iconic high-tech minimal lighting design\" class=\"wp-image-58833\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/lampe-tizio-artemide-1024x576.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/lampe-tizio-artemide-300x169.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/lampe-tizio-artemide-768x432.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/lampe-tizio-artemide.webp 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Tizio lamp by Richard Sapper for <a href=\"https:\/\/www.artemide.com\/fr\/subfamily\/18869\/tizio\" target=\"_blank\" rel=\"noreferrer noopener\">Artemide<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\">Key thinkers and influences<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Industrial designer <strong>Dieter Rams<\/strong> and his ten principles of good design become a touchstone. His Braun work directly inspires Jonathan Ive. Architect <strong>John Pawson<\/strong> articulates minimalism as a way of living in <a href=\"https:\/\/www.johnpawson.com\/works\/minimum\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Minimum<\/em><\/a> (1996).<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2000\u20132010: The industrial loft 2.0 and the start-up era<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Historical context<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The dot-com crash (2000) followed by Web 2.0 and the platform economy shaped a new entrepreneurial culture. Start-ups moved into former industrial spaces, creating an interior style that mixed reclaimed elements, raw authenticity, and seamless technological integration.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The reinvented loft<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Unlike the 1970s\u201380s New York loft (SoHo), <strong>this new version integrates technology organically<\/strong>. The open plan becomes the stage for a life where work and private space increasingly overlap.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Characteristic furniture<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Massive raw-wood tables (oak, walnut) on industrial metal bases<\/li>\n\n\n\n<li><strong>Tolix<\/strong> chairs (originally created in 1934 by Xavier Pauchard) enjoying a spectacular revival<\/li>\n\n\n\n<li><strong>Chesterfield<\/strong> leather sofas, patinated and warm against metal and concrete<\/li>\n\n\n\n<li>Reclaimed factory lockers repurposed as storage<\/li>\n\n\n\n<li>Workshop benches transformed into communal desks<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"667\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/tolix-chaise-a-metal-gris-martele-industrielle_design-annees-90.webp\" alt=\"Tolix metal chair, industrial revival style, hammered gray finish\" class=\"wp-image-58838\" style=\"width:366px;height:auto\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/tolix-chaise-a-metal-gris-martele-industrielle_design-annees-90.webp 500w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/tolix-chaise-a-metal-gris-martele-industrielle_design-annees-90-225x300.webp 225w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading\">Accessories and decor<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Edison<\/strong> filament bulbs hanging from simple textile cords<\/li>\n\n\n\n<li>Wall-mounted blackboards for brainstorming (Google, IDEO influence)<\/li>\n\n\n\n<li>Oversized vinyl typography with quotes and slogans<\/li>\n\n\n\n<li>Bikes mounted on walls as sculptural objects<\/li>\n\n\n\n<li>Large green plants (monstera, ficus) in industrial pots<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Signature materials<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Polished concrete floors, exposed red brick, reclaimed wood (pallets, old parquet), matte black metal, aged leather, cast iron.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Cultural influences<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">The <strong>maker<\/strong> movement and <strong>FabLabs<\/strong>, the look of artisanal <strong>coffee shops<\/strong> (Stumptown, Blue Bottle), and a renewed DIY culture fueled by platforms like Instructables.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Thinkers and movements<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Designer <strong>Tom Dixon<\/strong> with his hammered copper pieces, and the Dutch collective <strong>Droog Design<\/strong>, known for salvaging and rethinking industrial objects, embody this creative recycling mindset.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2010\u20132015: The reign of Scandi-tech<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Historical context<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The iPhone (2007), Instagram (2010), and Pinterest (2012) changed interior design radically. For the first time, homes became shareable content, built for the camera as much as for living. Design became more accessible, and paradoxically more uniform, around a global Scandinavian baseline.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The \u201cInstagrammable\u201d aesthetic<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Nordic style becomes the worldwide reference, popularized through concepts like Danish <strong>hygge<\/strong> and Swedish <strong>lagom<\/strong>. It answers the desire for warmth in a hyperconnected world, while integrating technology quietly into everyday life.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Star furniture<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Low modular sofas in heathered gray textiles (Muuto, HAY)<\/li>\n\n\n\n<li>Mid-century classics reissued: the <strong>Eames Lounge Chair<\/strong>, Hans Wegner\u2019s <strong>Wishbone<\/strong> chair<\/li>\n\n\n\n<li>Round oak coffee tables on tapered legs<\/li>\n\n\n\n<li><strong>String Furniture<\/strong> shelving (created in 1949 by Nisse Strinning, rediscovered)<\/li>\n\n\n\n<li>Sideboards on 1950s compass legs<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Decor accents<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Geometric cushions inspired by traditional Scandinavian textiles<\/li>\n\n\n\n<li>Merino wool throws in neutral tones<\/li>\n\n\n\n<li>Copper or brass pendants (&amp;Tradition, Muuto)<\/li>\n\n\n\n<li>Round mirrors with thin brass frames<\/li>\n\n\n\n<li>Minimal terrariums and succulents<\/li>\n\n\n\n<li>Design-led scented candles in clean containers<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Color palette<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Off-white, pearl gray, blue-gray, pale natural woods (ash, bleached oak), graphic black touches, and accents of rose copper and brass.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Textiles<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Crumpled linen, organic cotton, boucle wool, natural untreated leather. <a href=\"https:\/\/hartdesignselection.com\/en\/textile-art-and-upholstery-fabric-guides\/\">Upholstery textiles<\/a> and soft materials lean toward natural tactility.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A sociological phenomenon<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Decor blogs (Apartment Therapy, Design*Sponge) and interior designers\u2019 Instagram accounts created a new visual economy. Scandinavian style became a <strong>universal language<\/strong> of accessible good taste, amplified by IKEA, H&amp;M Home, and Zara Home.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Thinkers and influences<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Japanese architect and designer <strong>Naoto Fukasawa<\/strong> and his concept of \u201cwithout thought\u201d (design that anticipates gestures), and British designer <strong>Jasper Morrison<\/strong> with his <strong>Super Normal<\/strong> approach (ordinary objects made exceptional through rightness) shape this period\u2019s sensibility.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2015\u20132020: Digital maximalism and the colorful reaction<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Historical context<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">As fatigue sets in from white minimalism and Instagram feeds fill with interiors that look increasingly identical, an opposite impulse emerges. <strong>The millennial generation embraces color, accumulation, and eclectic identity<\/strong> as a way to stand out again.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Chromatic explosion<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Millennial pink<\/strong> (Pantone 13-1520), emerald green, and Klein blue invade interiors. The <strong>Memphis<\/strong> energy of the 1980s, led by Ettore Sottsass, returns in force, reinterpreted for a new digital stage.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Signature furniture<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Velvet sofas in saturated tones (bottle green, midnight blue, fuchsia)<\/li>\n\n\n\n<li>Vintage 1970s\u201380s seating (Ligne Roset\u2019s <strong>Togo<\/strong>, Olivier Mourgue\u2019s <strong>Djinn<\/strong>)<\/li>\n\n\n\n<li>Colorful terrazzo tables (a 1950s material revived)<\/li>\n\n\n\n<li>Rounded, organic \u201cblob furniture\u201d inspired by natural forms<\/li>\n\n\n\n<li>Sculptural, wavy wall shelves (a Panton spirit revisited)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Decor accents<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Custom <strong>LED neon<\/strong> signs with phrases and poetic lines<\/li>\n\n\n\n<li>Irregular organic-shaped mirrors<\/li>\n\n\n\n<li>Asymmetrical sculptural ceramic vases<\/li>\n\n\n\n<li>Maximal textiles: fringes, pom-poms, tufting, macram\u00e9<\/li>\n\n\n\n<li>Tropical wallpapers, palms, and Art Deco echoes<\/li>\n\n\n\n<li>Saturated prints and colorful abstraction<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Aesthetic influences<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Vaporwave<\/strong> (nostalgic digital aesthetics of the 1990s), a <strong>Memphis redux<\/strong>, unapologetic pop culture, and British maximalism (Abigail Ahern).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Integrated technologies<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Connected objects become visible and even decorative:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Marshall speakers and colorful Sonos pieces<\/li>\n\n\n\n<li><strong>Philips Hue<\/strong> lighting to shift atmospheres at will<\/li>\n\n\n\n<li>Digital frames displaying contemporary art<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.marshall.com\/fr\/fr\/product\/acton-iii?pid=1006075\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/acton-iii-brown-front-marshall-1024x1024.webp\" alt=\"Marshall Acton III speaker, design object for interiors, warm brown finish\" class=\"wp-image-58842\" srcset=\"https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/acton-iii-brown-front-marshall-1024x1024.webp 1024w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/acton-iii-brown-front-marshall-300x300.webp 300w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/acton-iii-brown-front-marshall-150x150.webp 150w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/acton-iii-brown-front-marshall-768x768.webp 768w, https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/acton-iii-brown-front-marshall.webp 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Marshall Acton III speaker<\/figcaption><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\">Key figures<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Designer <strong>India Mahdavi<\/strong> with her candy-pink universes, <strong>Kelly Wearstler<\/strong> and her luxurious Californian maximalism, and <strong>Crosby Studios<\/strong> with its post-Soviet, graphic, color-forward language.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2020\u20132025: Biophilic tech and the nature\u2013digital reconciliation<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Historical context<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The COVID-19 pandemic (2020) radically reshaped our relationship with home. Remote work, lockdowns, and heightened ecological awareness created a new paradigm: interiors must function as office, refuge, wellness space, and a renewed connection to nature.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The biophilic style<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/hartdesignselection.com\/en\/high-end-biophilic-architecture-integrating-nature-into-luxury-residences\/\" data-type=\"post\" data-id=\"54977\">Biophilic design<\/a><\/strong> (theorized as early as 1984 by biologist Edward O. Wilson) truly enters mainstream practice. The idea is to integrate nature into built space, while hiding the technology that has become indispensable.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Trending furniture<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rattan and cane pieces, bringing craft techniques back into focus<\/li>\n\n\n\n<li>Organic curves inspired by pebbles, shells, and living forms<\/li>\n\n\n\n<li>Solid wood tables with translucent <strong>epoxy resin<\/strong> inlays<\/li>\n\n\n\n<li>Enveloping boucle armchairs (teddy fabric)<\/li>\n\n\n\n<li>Adaptable modular systems (movable partitions separating work from life)<\/li>\n\n\n\n<li>Clean-lined electric <strong>sit-stand desks<\/strong><\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Accessories and greenery<\/h4>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Vertical <strong>green walls<\/strong> with automated irrigation systems<\/li>\n\n\n\n<li>Connected planters monitoring moisture and light<\/li>\n\n\n\n<li>Indoor fountains for calming acoustics<\/li>\n\n\n\n<li>Design essential-oil diffusers (aromatherapy integrated)<\/li>\n\n\n\n<li>Oversized terrariums and indoor mini-greenhouses<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Preferred materials<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/hartdesignselection.com\/en\/tag\/materials\/\" data-type=\"post_tag\" data-id=\"650\">Raw materials<\/a> take priority: terracotta, clay, artisanal ceramics, linen, hemp, wool, cork, bamboo, untreated wood, natural stone.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Color palette<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Terracotta, ochre, olive green, khaki, warm beige, sand, earthy tones, rust, saffron, soft clay pink.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Invisible technologies<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Paradoxically, this is the era of the <strong>deepest technological integration<\/strong>, but it is designed to disappear:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Speakers disguised inside natural-looking objects (stone-like forms, wooden lamps)<\/li>\n\n\n\n<li><strong>Wireless chargers<\/strong> integrated into bedside tables and desks<\/li>\n\n\n\n<li><strong>Circadian lighting<\/strong> systems mimicking natural daylight progression<\/li>\n\n\n\n<li>Motorized curtains and blinds controlled by voice or app<\/li>\n\n\n\n<li>Discreet connected mirrors (fitness, weather, agenda)<\/li>\n\n\n\n<li>Air-quality sensors and design-led purifiers<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">New hybrid spaces<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Interior architecture reorganizes around new domestic programs:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Remote-work zones<\/strong> with neutral, \u201cZoom-friendly\u201d backgrounds<\/li>\n\n\n\n<li><strong>Gaming corners<\/strong> with ergonomic desks, RGB lighting, and gear storage<\/li>\n\n\n\n<li><strong>Home podcast and streaming studios<\/strong> with acoustic panels and integrated ring lights<\/li>\n\n\n\n<li><strong>At-home fitness<\/strong> spaces (Peloton, connected mirrors)<\/li>\n\n\n\n<li>Design <strong>charging stations<\/strong>: furniture with integrated USB ports and multi-device docks<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Thinkers and movements<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Architect <strong>Stefano Boeri<\/strong> and his vertical forests, <strong>Formafantasma<\/strong> and their radical ecological approach, and the <strong>Slow Design<\/strong> movement advocating durability and emotional connection to objects.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Crossovers: tech objects that became design icons<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Some technological objects transcend their function to become aesthetic markers of an era:<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">1990s\u20132000s<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The translucent <strong>iMac G3<\/strong> (1998): the first computer openly embraced as a design object<\/li>\n\n\n\n<li>The <strong>Tamagotchi<\/strong>: a digital toy turned cultural phenomenon<\/li>\n\n\n\n<li>The matte-black <strong>PlayStation<\/strong>: hardware as interior presence<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">2000s\u20132010s<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The iconic white <strong>iPod<\/strong> and its earphones<\/li>\n\n\n\n<li><strong>Flat screens<\/strong> freeing up wall space and reorganizing living rooms<\/li>\n\n\n\n<li>The minimal white <strong>Wii<\/strong><\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">2010s\u20132020s<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Smart speakers<\/strong> (Amazon Echo, Google Home) as small modern sculptures<\/li>\n\n\n\n<li><strong>Drones<\/strong> displayed on stands like objects<\/li>\n\n\n\n<li><strong>VR headsets<\/strong> (Oculus) as a new household artifact<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">2020s\u20132025<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Robot vacuums<\/strong> influencing layouts (fewer obstacles, clearer floors)<\/li>\n\n\n\n<li>Samsung <strong>The Frame<\/strong> screens displaying artworks as part of decor<\/li>\n\n\n\n<li>Design-forward multi-device <strong>charging stations<\/strong><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">How digital interfaces shaped spatial aesthetics<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A fascinating phenomenon: interface visuals migrated into physical design language.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Skeuomorphism (2000s)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Early iOS interfaces mimicked real materials (leather, wood, felt). In interiors, this fed a renewed appetite for \u201ctrue\u201d textures as a counterpoint to the screen.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Flat design (2010s)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The clean interface language of iOS 7 (2013) reinforced minimalism in furniture: solid color fields, simple geometry, and fewer visual effects.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Neumorphism (2020)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Softly swollen surfaces and delicate shadows: this UI aesthetic echoes in gentle, rounded, organic furniture forms.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Glassmorphism (2020\u20132025)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Transparency, blur, layering: a return of frosted glass, tinted plexiglass, and translucent resins in furniture and partitions.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Resistance movements and counter-cultures<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Against digital uniformity, several resistance aesthetics emerge:<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Western wabi-sabi (2015+)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Accepting imperfection, celebrating patina, and choosing unique crafted objects over algorithmic sameness.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Vernacular maximalism (2018+)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Personal accumulation, memories, salvaged objects, and a refusal of the \u201cInstagram catalog\u201d look.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Cottagecore (2020+)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A nostalgic rural romanticism, a rejection of hyperconnected urban life. It exploded on TikTok during lockdowns.<\/p>\n\n\n\n<!-- HART \u2022 Design History Timeline (EN) -->\n<div style=\"background:#f6eee7;padding:18px;border-radius:12px;border:1px solid #b08d57;\">\n  <div style=\"font-size:14px;font-weight:600;letter-spacing:.16em;text-transform:uppercase;color:#211c1a;opacity:.75;margin-bottom:18px;text-align:center;\">\n    Design History Timeline\n  <\/div>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/russian-constructivism-when-art-meets-revolution\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1915\u20131930<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Constructivism<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">When art meets revolution<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/de-stijl-the-dutch-movement-that-revolutionized-abstract-art\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1917\u20131931<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">De Stijl<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">The Dutch geometric manifesto<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/bauhaus-the-german-school-that-shaped-modern-design\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1919\u20131933<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Bauhaus<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">The modern design blueprint<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/art-deco-history-creators-and-legacy-of-a-universal-style\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1925\u20131940<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Art Deco<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Luxury, geometry, global glamour<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/streamline-moderne-the-golden-age-of-american-industrial-design-1930-1950\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1930\u20131950<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Streamline Moderne<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">The cult of speed<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/cranbrook-academy-the-american-laboratory-of-modern-design\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1932\u20131970<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Cranbrook Academy<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">The American design laboratory<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/traditional-scandinavian-design-the-nordic-art-of-living\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1940\u20131970<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Scandinavian Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Humanist modernity<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/mid-century-modern-1945-1965-the-american-golden-age\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1945\u20131965<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Mid-Century Modern<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Postwar optimism<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/good-design-movement-the-quest-for-democratic-design\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1950\u20131960<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Good Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Ethics of simplicity<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/italian-design-1950-1980-creative-dolce-vita\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1950\u20131980<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Italian Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Milan\u2019s creative empire<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/ulm-school-the-methodological-revolution-of-design-1953-1968\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1953\u20131968<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Ulm School<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Design as method<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/design-of-the-1960s-plastic-revolution-and-freedom\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1960\u20131970<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Pop Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Plastic freedom<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/radical-design-italian-anti-design-1960-1975\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1960\u20131975<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Radical Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Italian anti-design<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/high-tech-design-when-technology-becomes-un-aestethic-language\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1970\u20131990<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">High-Tech Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Engineering becomes beauty<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/the-history-of-design-and-decorative-styles\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1980\u20132000<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Postmodernism<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">The end of one truth<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/memphis-group-1981-1987-when-ettore-sottsass-dynamited-the-codes-of-modern-design\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1981\u20131987<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Memphis Group<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Pop irony, radical form<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/the-big-design-history\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1990\u20132010<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Minimalism<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Less becomes global<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/the-big-design-history\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">1990\u20132026<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Digital Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Interfaces reshape culture<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/eco-design-2000-2025-when-environmental-consciousness-reinvents-design\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">2000\u20132025<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Eco-Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Circular, regenerative thinking<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/en\/design-thinking-2000-2025-from-an-innovation-method-to-a-new-design-culture\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;border-bottom:1px solid #e3d5c3;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">2000\u20132025<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Design Thinking<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">Innovation as a process<\/div>\n  <\/a>\n\n  <a href=\"https:\/\/hartdesignselection.com\/global-design-2010-2025-when-creativity-becomes-simultaneously-globalized-and-localized\/\" style=\"display:block;text-decoration:none;color:#211c1a;padding:10px 0;\">\n    <div style=\"font-size:12px;font-weight:700;letter-spacing:.08em;color:#f3206f;\">2010\u20132025<\/div>\n    <div style=\"font-size:16px;font-weight:600;\">Global Design<\/div>\n    <div style=\"font-size:14px;opacity:.75;\">A planetary design language<\/div>\n  <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion: toward a post-digital interior?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The digital age (1990\u20132025) transformed interior design not only through tools (3D modeling, virtual reality, 3D printing) but also through forms, materials, and everyday uses.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Three major tendencies coexist today:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Invisible integration<\/strong>: technology disappears into warm, natural materials<\/li>\n\n\n\n<li><strong>Identity-driven expression<\/strong>: resisting sameness through extreme personalization<\/li>\n\n\n\n<li><strong>Confident hybridization<\/strong>: mixing eras, references, and styles within one space<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">What defines this period is <strong>eclecticism without hierarchy<\/strong>. Unlike earlier eras dominated by a single stylistic regime (Art Nouveau, Bauhaus, Art Deco), the digital age allows and even rewards the coexistence of multiple aesthetics. It mirrors the very nature of the digital world: customizable, modular, infinite.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Contemporary interior design is no longer strictly prescriptive. It becomes <strong>democratic and participatory<\/strong>. Social platforms, online marketplaces, visualization tools, and DIY culture allow anyone to shape their own environment. This democratization comes with a sharper awareness of ecological impact, durability, and the meaning we attach to the objects we live with.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The future? Likely an even deeper synthesis between materiality and virtuality, with <strong>augmented reality<\/strong> making it possible to transform interiors visually without altering their physical substance, and <strong>artificial intelligence<\/strong> personalizing spaces in real time according to our activities and moods. Yet against hyperconnection, the need for tactility, sensorial comfort, and a grounded relationship with matter and nature will only intensify.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ultimately, interior design in the digital age reminds us of one essential truth: no matter how sophisticated our technologies become, we remain profoundly sensory beings. We need beauty, comfort, and meaning in the spaces we inhabit.<\/p>\n\n\n\n<!-- HART \u2014 RESOURCES BLOCK \u00b7 5 SEO PILLARS (EN) -->\n<div style=\"\n  background:#f8f2ec;\n  border:1px solid #e3d5c3;\n  border-radius:9px;\n  padding:40px 34px;\n  margin:80px 0;\n\">\n\n  <div style=\"\n    font-size:11px;\n    letter-spacing:.18em;\n    text-transform:uppercase;\n    color:#211c1a;\n    opacity:.6;\n    margin-bottom:10px;\n  \">\n    RESOURCES\n  <\/div>\n\n  <div style=\"\n    font-size:22px;\n    font-weight:600;\n    color:#211c1a;\n    margin-bottom:34px;\n    line-height:1.35;\n  \">\n    Explore HART\u2019s editorial pillars\n  <\/div>\n\n  <!-- 1 : History & Decorative Styles -->\n  <a href=\"https:\/\/hartdesignselection.com\/en\/the-big-design-history\/\" style=\"display:block;text-decoration:none;color:#211c1a;margin-bottom:24px;\">\n    <div style=\"font-size:11px;font-weight:700;letter-spacing:.12em;color:#f3206f;text-transform:uppercase;margin-bottom:4px;\">\n      Heritage\n    <\/div>\n    <div style=\"font-size:16px;font-weight:600;margin-bottom:3px;\">\n      History &#038; Decorative Styles\n    <\/div>\n    <div style=\"font-size:14px;opacity:.75;line-height:1.5;\">\n      A curated timeline of major movements and visual cultures that shaped how we live.\n    <\/div>\n  <\/a>\n\n  <div style=\"height:1px;background:#eadfce;margin:24px 0;\"><\/div>\n\n  <!-- 2 : Designers & Creators -->\n  <a href=\"https:\/\/hartdesignselection.com\/en\/hart-glossary-of-design-icons\/\" style=\"display:block;text-decoration:none;color:#211c1a;margin-bottom:24px;\">\n    <div style=\"font-size:11px;font-weight:700;letter-spacing:.12em;color:#f3206f;text-transform:uppercase;margin-bottom:4px;\">\n      Creators\n    <\/div>\n    <div style=\"font-size:16px;font-weight:600;margin-bottom:3px;\">\n      Designers &#038; Makers\n    <\/div>\n    <div style=\"font-size:14px;opacity:.75;line-height:1.5;\">\n      Portraits, references and key figures behind modern and contemporary design.\n    <\/div>\n  <\/a>\n\n  <div style=\"height:1px;background:#eadfce;margin:24px 0;\"><\/div>\n\n  <!-- 3 : Materials & Finishes -->\n  <a href=\"https:\/\/hartdesignselection.com\/en\/guide-to-exceptional-upholstery-fabrics\/\" style=\"display:block;text-decoration:none;color:#211c1a;margin-bottom:24px;\">\n    <div style=\"font-size:11px;font-weight:700;letter-spacing:.12em;color:#f3206f;text-transform:uppercase;margin-bottom:4px;\">\n      Materials\n    <\/div>\n    <div style=\"font-size:16px;font-weight:600;margin-bottom:3px;\">\n      Materials &#038; Finishes\n    <\/div>\n    <div style=\"font-size:14px;opacity:.75;line-height:1.5;\">\n      Textiles, surfaces and techniques\u2014decoded with an editorial, craft-led approach.\n    <\/div>\n  <\/a>\n\n  <div style=\"height:1px;background:#eadfce;margin:24px 0;\"><\/div>\n\n  <!-- 4 : Brand Guides -->\n  <a href=\"https:\/\/hartdesignselection.com\/en\/complete-wallpaper-guide\/\" style=\"display:block;text-decoration:none;color:#211c1a;margin-bottom:24px;\">\n    <div style=\"font-size:11px;font-weight:700;letter-spacing:.12em;color:#f3206f;text-transform:uppercase;margin-bottom:4px;\">\n      Houses\n    <\/div>\n    <div style=\"font-size:16px;font-weight:600;margin-bottom:3px;\">\n      Brand Guides\n    <\/div>\n    <div style=\"font-size:14px;opacity:.75;line-height:1.5;\">\n      A selection of reference brands\u2014chosen for craft, vision and long-term relevance.\n    <\/div>\n  <\/a>\n\n  <div style=\"height:1px;background:#eadfce;margin:24px 0;\"><\/div>\n\n  <!-- 5 : Contemporary Design & Trends -->\n  <a href=\"https:\/\/hartdesignselection.com\/en\/organic-design-living-forms-and-new-materials\/\" style=\"display:block;text-decoration:none;color:#211c1a;\">\n    <div style=\"font-size:11px;font-weight:700;letter-spacing:.12em;color:#f3206f;text-transform:uppercase;margin-bottom:4px;\">\n      Now\n    <\/div>\n    <div style=\"font-size:16px;font-weight:600;margin-bottom:3px;\">\n      Contemporary Design &#038; Trends\n    <\/div>\n    <div style=\"font-size:14px;opacity:.75;line-height:1.5;\">\n      Where today\u2019s interiors meet culture, technology, ecology\u2014and new ways of living.\n    <\/div>\n  <\/a>\n\n<\/div>\n<!-- END HART \u2014 RESOURCES BLOCK \u00b7 5 SEO PILLARS (EN) -->\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What is Interior Design in the Digital Age (1990\u20132026)? The rise of digital design since the 1990s has not only transformed our interfaces and screens. It has reshaped how we live at home, introducing new habits, new spatial rituals, and a visual language that feels unmistakably contemporary. In these decades, interior design has been in&#8230;<\/p>\n","protected":false},"author":1,"featured_media":58834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[196],"tags":[596,695,734],"class_list":["post-62613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-20th-century","tag-20th-century","tag-history-en","tag-trends"],"taxonomy_info":{"category":[{"value":196,"label":"20th Century"}],"post_tag":[{"value":596,"label":"20th Century"},{"value":695,"label":"History"},{"value":734,"label":"Trends"}]},"featured_image_src_large":["https:\/\/hartdesignselection.com\/wp-content\/uploads\/2026\/01\/lampe-tizio-artemide-1024x576.webp",1000,563,true],"author_info":{"display_name":"C\u00e9line Vanier","author_link":"https:\/\/hartdesignselection.com\/en\/author\/admin2836\/"},"comment_info":0,"category_info":[{"term_id":196,"name":"20th Century","slug":"20th-century","term_group":0,"term_taxonomy_id":196,"taxonomy":"category","description":"A century of boldness, utopia, and aesthetic revolutions. From the Bauhaus to Italian avant-gardes, from Art Deco to industrial design, the 20th century redefined our relationship to form, function, and everyday life.","parent":192,"count":24,"filter":"raw","cat_ID":196,"category_count":24,"category_description":"A century of boldness, utopia, and aesthetic revolutions. 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